SOUND & MEMORY
A space dedicated to listening, voice and sound creation through artistic processes developed between theatre, musical dramaturgy and interdisciplinary performance. Bringing together vocal experimentation, radio documentary, collective practices and performative sound works, this section explores the relationship between memory, transmission and contemporary listening.
Situated between rehearsal, archive and performance, these works approach sound not only as music, but as presence, landscape and collective experience across projects developed between Europe and Brazil.
Patchwork
A collective concert project developed with the AGORA Theater Ensemble for TheaterFest 2023, based on repertoire from AGORA Theater productions revisited through new arrangements for band, choir and soloists created by Wellington Barros. Combining collective voice, rhythm and scenic presence, the project explored musical interaction and group performance through a collaborative process between theatre and concert.
Chic Song
A musical composition created for AGORA Theater in collaboration with Nikita Zolotar and Karen Bentfeld, developed through the relationship between voice, repetition and scenic atmosphere within a collective theatrical process. Combining vocal textures, rhythmic structures and performative presence, the piece explores sound as dramaturgy and memory through a minimalist and immersive musical language.
Sound Reading
A performative sound reading created for the release of the book Marcel Cremer und die AGORA, published by AGORA Theater and Theater der Zeit Verlag. Combining spoken text, sound landscape and performative listening, the work explores memory, transmission and theatrical presence through excerpts from the writings of Marcel Cremer.
Developed between literature, voice and sound creation, the piece approaches listening as a space of artistic memory and collective resonance.
Vocal Samba Experiment
An experimental vocal exploration developed through samba rhythms, layered voices and collective listening practices. Situated between rehearsal, improvisation and performative sound creation, the work approaches samba as a vocal landscape shaped by rhythm, breath, memory and collective presence.
Through vocal textures, body percussion and sound interaction, the piece explores the transformation of Brazilian musical elements into an interdisciplinary listening experience between voice, movement and contemporary performance.